The golden fellows showed more discretion as to where they were popping up.
Tangentially related – I was listening to a new-to-me Bach cantata and marveling how Bach could have churned out such infinitely exquisite and unique beauty, when a soprano voice blossomed from nowhere out of a tangle of violas and recorders – much like the mysteries of spring awakening. It was a transporting moment.
The cantata, by the way, was “Tritt auf die Glaubensbahn” - perhaps a precursor to “The Gospel train’s comin – Get on board, little children!”
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